For David Yosef ben Faigie Perel:

That I may enjoy the prosperity of your chosen ones, that
I may share in the joy of your nation, that
I may join your inheritance in giving praise.

Psalms 106:5

Goddess Vajravarahi

Aragorn and Temple Mount/Israel

As suggested below, the "return of the King" - Aragorn suggests death of Golem/Shadow and rise of Temple Mount and rebirth of Israel. This picture is not clear, but the symbolism on King Aragorn's chest is a menorah in the design of a tree: three stars to the left, three to the right and a heightened symbol in the center:



Menorah are often presented as trees - "tree of life":

Tolkien’s “Rings” Templar “code” for restoration of Temple Mount

The several elements in Tolkien’s “Lord of the Rings” suggest restoration of Temple Mount. The Towers, the Golem. As I have been writing along here and in Quigley in Exile, Golem, from Rabbi Loeb’s dream of Golem in the 1600s marked the "end of light” in Europe – European and world Jews would then bifurcate to Extroverts, who would move outward with the gentiles in commerce and banking, and Introverts who would then move inward; that is, back to Israel. This would be the beginning of The Return. Golem would mark the external path to the present day in pop culture: Find Quaternities in pop culture and the “son” figure is frequently Golem – traces of this in Seinfeld where George is “son” (Seinfeld father, Cosmo Trickster, etc.), all neurotic and unable. No karma left at end of Pisces. The Twin Towers - Tolkien's second book - caused concern here because when the movie was released and the twin trade centers in New York were destroyed as parallel event, as if we were on a “gateway” to the age – the Age of Aquarius opened in 2001, year of the Twin Towers 9/11 tragedy. The subtheme in this story is the death of Golem; the end of the dark (shadow) aspect of the Jewish Extravert trail (which Moshe Feiglin scorns today in his weekly newslette). That is matched by the “Return of the King.” We shift today to the positive karma and suggest, in Templar terms, the rise again of Temple Mount. And it is what we hear again today & what I’ve been writing about these past months. I had been thinking it had different reference, but as Golem is in essence a Jewish reference,l the counterpart, King, likely implies the rise of Israel.

This image of the "Fantastic 4" in the naive culture is characteristic of a Quaternity featuring Golem as "Son." As I understand it, Stan Lee, who did this and most of the "super heroes" was a Jewish immigrant to New York. This would suggest a quest for Self which new (maybe all) Americans feel when they leave their "gods" (archetypes) behind in Europe. Golem's name here is "Ben" - Hebrew for "Son." This is a classic Quaternity: Father, Son, Trickster (fire boy), and Psyche (sister to "fire boy."). Quaternity is common in pop culture, "The Wizard of Oz" being most representative of American karma, born of the Plains. But "Seinfeld" and "Frazier" are telling Quaternities as well.

The end of "Lost" - Jack Shephard is the Aquarian

As per the earlier theme of shifting the "time style" from Pisces to Aquarius, the interior story ends with Jack at the light in the centerr of the island repairing the karms - much as John Locke repaired the "time style" when Ben broke it. The water pours forth. Jack is the Waterpourer; the iconic figure in the symbol of Aquarius in the zodiac pourikng water form a vase; freeing the creative consciousness for the new millenia. Nice at the end the eye closes; like Khrishna going back to sleep at the end of Maharabarata. The Waterpourer figure is known as the Titan.

"Lost" Sawyer and Kate Adam and Eve of Aquarius

Three astrological levels on the TV show “Lost” – Sawyer and Kate are the Adam and Eve of Aquarius

AS we cross into the Age of Aquarius out of the Age of Pisces, three levels of astrological time are present, going back 6,000 years to the time of Jacob. During the run of the series Jacob and his Shadow, Man in Black, the smoke monster are the old protectors of the light. Ben Linus and Richard Albert are their external agents in the world. Ben – identified as the Christ in the second season by the chest wound and the book, Brother’s K – representing the beginning of the Age of Pisces with Richard Alpert, known as Baba Ram Dass in the Sixties, representing the end – he started the hippie movement with Timothy Leary, his co-professor at Harvard.

Entering Aquarius now with Jacob dead and the smoke monster transferred to John Locke, Jack, son of “Christian Shepherd” takes the role of Guardian. The external agents here should be Desmond (who played Jesus in an earlier movie) and Hurley – both these have avatar karma – Hurley speaks to the Unconscious direct; listens to the dead, while Desmond, like Brahma is immune to the peaks (Vishnu) and troughs (Shiva) of the light. Leaving Kate and Sawyer to be the new Adam and Eve of Aquarius.

Buffy and Twilight

Watching the first few episodes of Buffy this past weekend it is clear that Buffy is the template for Twilight. But Twilight is the anti-Buffy; a Mormon version of the Slayer which is purely English while Mormons can bes seen as a dissident sect of English. In season one number four a bus is taken over by religious folk refered to as the brethern; a name I believe used for Mormons in Australia.

Giles is also said to have a mentor named Carlisle - Edwards's father - back in the British Museum.

Noteworthy that Buffy's animus is called Angel; in book four of the Twilight series Edward and co. are referred to as angels and archangels. In both of these series some of the vampires can be seen as good or striving to be good - angels or Shining Ones - while in previous vampire movies the undead express a "silence of God" or empty crypt where the Christ once awakened from.

Worth noting as well that the Hellmouth mentioned in Buffy opens at the end of Pisces - 1996/7 while Twilight comes out on the other side - the beginning of the Age of Aquarius - 2006 or 7.

NOteworthy as well that Buffy is the active agent althought Angel kills Darla just as Edward kills Victoria allowing for the manifestation of the new goddess. Again, the Mormon model in Twilight where Bella simply finds her place with Edward.

This whole thing conditions a generation in a possitive way as both Buffy and Twilight bring the positive values of the white goddess and the beginning of the goddess cycle and bring to an end the age of Kali; the death mother. the generation which awakens and forms time, will manifest these positive values in the new century.